Selected Press & Reviews
2026
Sarah Fleming. “Love Letters from Rain.” Tricycle. September 5, 2026.
Tricycle Talks. “Illustrating Impermanence with Miya Ando.” Episode 155. August 26, 2026.
“Artist Interview: Miya Ando | Shaping Time Through Nature.” Tokyo Gendai. July 2, 2026.
“Miya Ando, The Colors of the 72 Microseasons at Sundaram Tagore Gallery.” Ocula. June 25, 2026.
John R. Killacky. “Water of the Sky: A Dictionary of 2,000 Japanese Rain Words.” The Arts Fuse. May 2026.
“Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects) at MAKI.” Ocula. January 25, 2026.
2025
The MIT Press Reader. “20 Japanese Words for Rain.” December 2025.
Kirkus Reviews. “Water of the Sky: A Dictionary of 2,000 Japanese Rain Words.” October 2025.
Harper’s Magazine. “Liquiddity.” October 2025.
Oliver Kupper. “The Weight of Lightness: Miya Ando’s Mono no Aware at Saint Laurent Rive Droite.” Autre Journal. 2025.
Aimee Dawson. “Moon Paintings and Fictitious Flowers: Our Pick of the Art on Show at Art SG.” The Art Newspaper. 2025.
2024
Lisa Movius. “Weakened Yen Presents Mixed Opportunities for Tokyo Gendai.” The Art Newspaper. 2024.
Harrison Jacobs. “Tokyo Gendai Art Fair Reveals Programming for Second Edition in July.” ARTnews. 2024.
Maxwell Rabb. “Tokyo Gendai 2024 Closes Its Second Edition with Promising Sales.” Artsy. 2024.
Duncan Joan Oliver. “The Art of Impermanence.” Tricycle Magazine. Winter 2024.
Nafisa Singhsachathet. “...” Asian American & Buddhist, Lion’s Roar. 2024.
Rebecca Li. “The Method of No-Method.” Lion’s Roar. 2024.
2023
Andrew Berardini. “Traces of Light: Miya Ando’s Material Ephemerality.” Artforum. 2023.
Ellen Eberhardt. “Miya Ando’s Cloth Calendar Shows Micro Seasons Lost to Climate Change.” Dezeen. 2023.
Hazel Sheffield. “Miya Ando’s Zen-Inspired Cloud Sculpture Opens at The Noguchi Museum.” The Art Newspaper. 2023.
Artnet News. “Miya Ando Transforms Brookfield Place Into a Botanical Wonderland.” 2023.
Kaley Roshitsh. “‘Flower Atlas’ Climate Art Exhibit Opens in Brookfield Place.” WWD. 2023.
Lindsay Kyte. “Women of Wisdom.” Lion’s Roar. 2023.
2022
Johanna Fateman. “To Name a Place: Contemporary Landscape.” The New Yorker. 2022.
Christine Han. “The Feminist Aesthetics of ‘A Room of Her Own.’” Ocula. 2022.
2021
Eileen Kinsella. “‘Woo-Hoo!’: A Global Hunger for Hot Young Figurative Art Propelled Phillips and Poly’s Hong Kong Sales to a ‘White Glove’ $90 Million.” Artnet News. 2021.
Sam Gaskin. “Phillips and Poly Auction Set Records for 17 Artists in China Sales.” Ocula. 2021.
2019
Lauren Haynes and Joachim Pissarro. “Crystals in Art: Ancient to Today.” Crystal Bridges Museum. 2019.
Adrian Madlener. “New Glass Now: Corning Museum of Glass.” The Architect’s Newspaper. 2019.
2018
Mark Jenkins. “Asia Shapes Two Art Shows at the AU Museum.” The Washington Post. 2018.
Kriston Capps. “Miya Ando’s Landscape Paintings Are of Another World.” Washington City Paper. 2018.
Victoria Valentine. “Miya Ando Talks Time and Transformation.” Cultured. 2018.
2014
Peter Hill. “To Be a Lady.” ARTnews. 2014.
2013
Andrew Gladstone. “Miya Ando Solo Show Mujo (Impermanence).” Tricycle. 2013.
2009
Benjamin Genocchio. “Art Review: Works From New Talent Seeking a Boldface.” The New York Times. 2009.