PROCESS-BASED WORKS
This group of works is united by an emphasis on transformation as both method and subject. Fire, water, metal, chemical reaction, and light are not merely tools but active participants that shape each surface. Processes of burning, rusting, oxidizing, fracturing, and reflecting are recorded directly in the material, allowing natural forces to leave visible traces of change.
Rather than concealing these transformations, the works embrace them as integral to their form. Charred wood retains the imprint of fire; steel records oxidation; anodized aluminum captures color in a crystalline shell; glass fractures refract a single cloud into millions of points. Each process leaves a record of its passage, binding permanence and impermanence within the same object.
Across series such as Kuu, Sabi, Kintsugi, Reflection Cubes, and the Kumo (Cloud) works, materials are asked to reveal their own histories of transformation. Together, they form a sustained inquiry into the conditions under which matter changes state and how those changes register time, atmosphere, and perception.
KUMO (CLOUD) SERIES, 2006-Ongoing
Solid Glass
78.75 x 63.5 x 15.75 in (200 x 161.25 x 40 cm)
Exhibited at Nassau County Museum of Art, Roslyn, NY; American University Museum at the Katzen Arts Center, Washington, DC; The Philip Johnson Glass House, Darien, CT; The Smithsonian Museum of American Art, Luftmuseum, Amberg, DE; Corning Museum Of Glass, Corning, NY; The
Smithsonian American Art Museum, Washington, DC; Toyama Glass Art Art Museum, Toyama, JP; Monmouth Museum, Middletown, NJ.
GINGA (SILVER RIVER GALAXY), 2010
Hand-Dyed, Anodized Aluminum
32 x 40 in (81.28 x 101.6 cm)